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Writings & Miscellaneous
- (0) Proving God by Consensus
- (0a) A Word on Donald Trump
- (0b) Why Utopia will Forever Elude Us
- (1a) A Bouquet of Daisies
- 1) You Don't Know What You're Doing
- 1b) Everything's All Right in the Middle East
- 1c) Dog Days
- 1d) No Stars for the Eclipse
- 1e) Spinning the Wheel of the Quivering Meat Conception
- 1f) The Author
- 1g) Sex With a Very Large Woman
- 1h) Arena
- 1i) Stupidity: Its Uses & Abuses
- 1j) Recycle THIS
- 1k) Redefining Insurance Fraud
- 1l) On Turning Sixty
- 1m) When Pacino's Hot, I'm Hot
- 1n) Foul Shots
- 1o) 3 Poems
- 1p) On Mental Health
- 1q) The Monstrous Season
- 2) ShatterColors Author Interview
- 3 Four From the '90s:
- 3a) Why the Yankees Finished Second
- 3b) Schindler's List: Murder Kills Death
- 3c) Get Your Face Out of My Cigarette
- 3d) Waiting for the Cut (a skit)
- 4) When Pacino's Hot cover copy
- 5) When Pacino's Hot reviews
- 6) Wikipedia
- JAZZ WRITINGS:
- 0) New! Notes from a Season at the Center of the Universe: Cecil Taylor at The Take 3 (1962-63)
- 5) Jazz & Pop Columns, 1970-71:
- 5d) Anthony Braxton
- 6) Free Jazz: The Jazz Revolution of the '60s (2003)
- 7) Photo from a Red Rodney recording session, 1957
- 7a) Photos of Cecil Taylor and Robert Levin
- 8) The War is Over: A Conversation About Jazz with Robert Levin (2010)
- 9) Liner Note: Buell Neidlinger with Steve Lacy
- 9a) Liner Note: Marty Krystall
- 9b) Liner Note: Liquid Krystall Displayed
- 9bb) Liner Note: Ahmed Abdul-Malik
- 9bbb) A Note on Charlie Rhyner
- 9bbbb) Joe Licari/Mark Shane: Album Review
When Pacino’s Hot, I’m Hot
The Drill Press LLC
Reviews
Against Mental Health: Short Stories
Cyberwit
“A writer of talent and intelligence.” — Irving Louis Horowitz
“Distinguished quality…profound emotion.” —Dr. Karunesh Kumar Agrawal
“Some real gold in here.”—B.D. Charles
Music & Politics
by John Sinclair and Robert Levin
World Publishing
“Robert Levin’s articles…make up the second half of Music and Politics, and they’re something else again. He’s a quietly briliant writer (not flashy but subtly dazzling) who knows jazz extremely well and who knows how to let us know what he knows. His piece on Sunny Murray says more about the birth of the New Jazz than most writers could say in a volume; the Anthony Braxton interview is one of the freshest, most reassuring articles on the future of music (of the arts in general) that I’ve read; his ‘found critique’ of ‘Space’ by the MJQ, which contrasts Murray’s thoughts on music at the White House with President Nixon’s introduction of the MJQ in that very place, is brilliant; his piece on the unfortunate evolution of Willis Jackson…is a minor masterpiece; and he’s lucid and painful and thoroughly correct when he writes that ‘What is meant by ‘every man has his price’ is that every man has his uncertainty about the validity and sanity of his perception of the truth. To ‘sell out’ is to capitulate to that uncertainty.'”
—Colman Andrews, Creem
Giants of Black Music
Edited by Pauline Rivelli and Robert Levin, with a foreword by Nat Hentoff
Da Capo Press